JAZZ HISTORY
 
Jazz history is a fascinating and frustrating subject.  Since the first writings appeared, many of the the books and articles have been problematical.  This is because the authors of these texts have had many hidden (and not so hidden) agendas.  These agendas have included personal agendas (with many conflicts of interest), political agendas and racial agendas.  Sorting this out is an interesting hobby.  I do not think that a definitive jazz history has been written.  Much of the work in this area has been long on fan adulation and short on scholarship.  Much like Washington Irving's statement that the majority of people thought the world was flat in Columbus' time, factual errors and legends are repeated without checking basic sources.

An outline of jazz styles is included here.  It was prepared  for the lectures and short courses that I give on the music. I deliberately left the instruments that most of the musicians play out because: 1) the document would be much longer, and; 2) the readers can look up recordings or reference material themselves with the names as a starting point.

The outline represents nearly forty years of record (and now CD) collecting and study, along with some interviews that I've done. Some of it may not quite fit the standard jazz history that you read. It also reflects my prejudices as to what is or is not important (and why). The accompanying diagram makes it clearer for me because I normally work as a scientist. 

Mainly, you learn about the history of this music by concentrated, focused listening.  A CD Library supporting the Jazz Styles Outline is also found on this web site.

There are many books about jazz.  The scholarship is improving as more historians and musicologists move into the field.  The following books can serve as a basic jazz library.  These represent my best guess about a basic library.  There are pages devoted to both General and Reference Texts and to Musicians' Biographies.
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